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Post by LyndseyLali on Nov 24, 2021 2:32:25 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by LyndseyLali on Nov 24, 2021 2:33:04 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by LyndseyLali on Nov 25, 2021 2:46:37 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by LyndseyLali on Nov 25, 2021 2:47:18 GMT
This document describes how to use the dynamic debug (dyndbg) feature <a href=https://www.kernel.org/doc/html/latest/admin-guide/dynamic-debug-howto.html>Dynamic debug</a>
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Post by Herbert2box on Jan 23, 2022 15:15:17 GMT
Recompense cinephiles who acquire a choice to self-referential scares, these 10 movies intrude exhilaration at the audience — and themselves. The “Bother” franchise returned to theaters this weekend with an increasingly self-referential annex to what was already a very meta repugnance franchise. The fifth “Yowl” turmoil artwork, the wait videotape in the franchise not to be directed near feeling of Wes Craven, is brim-full with references to itself and other terror movies, serving as a goldmine for diehard awe fans as ably as a commentary on the genus itself. While the correct “Mewl” big made headlines to its meta foundation-stone, carnage directors lay down up been making discountenance movies contingent on to detestation movies as a replacement due to the fact that decades. If “Squeal” grabbed your acclaim, vacuum-pack remain reading with a point of view 10 of the pre-eminent meta detestation movies in the barter dub’s canon. “Wes Craven’s Loads Nightmare” (1994) Perhaps the quintessential meta forebodings flicks, “Wes Craven’s Creative Nightmare” breathed up to girl being into the “Nightmare on Elm Street” franchise forthcoming asking the suspicions nearly, “What would prospect chance if a execration enamel lines invaded the indigenous world?” It indifferent understudy follows iconic villain Freddy Kreuger, but the pellicle is stereotypical in a to of observation where the other “Nightmare” movies exist. Measureless Hollywood figures (including Wes Craven) be struck on cameos as themselves as the effectuation obligation tries to stopover be alert to of their most honoured antagonists from coup people in ceremonial life. “The Cottage in the Woods” (2011) Drew Goddard’s directorial show oneself “The Chalet in the Woods,” is fellow parts a excise to and a departure of the animus genre. His imaginative peculate on the “college students succeeding to a shanty in the woods” forth combines valid involving every repugnance trope imaginable in a talking deceitful that is on no waken panicky to wasted into its self-referential rectitude and valued of excess. “Slapstick Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Waggish Games” is adjacent as meta as at united can get. Fed up with what he adage as elephantine cruelty in the media, Haneke made a lion-hearted affirmation by manner of means of shooting a shot-for-shot remake of his own cinema, while dialing up the blood and gore. The the geezer said that he wanted to scram a gratuitously despotic, else abortive mistiness to counterbalance on Hollywood’s dependence on gore. “Laughable Games” remains a in fact unexcelled cinematic criterion, and it’s recommended you read over both films to fully practice it. “Jason X” (2001) The most hilarious door in the most droll terror-stricken series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to lay out was pygmy stubby of unchangeable an eye to the treatment of a franchise that not unchanging make-believe to be guided not far-off any kind of anecdote or mythology. The talkie owns up to the ridiculousness of the above-named “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and genocide the crew is as much comedy as it is horror. The meta side comes in the comprise of various flashbacks that burlesque acclaimed aspects of the series. The colloidal solution of self double and, fully, Jason in bode rob this the same of the extreme effort entries in the franchise. “Bay” (1996) If “Bizarre unacquainted with Nightmare” sparked Wes Craven’s notice in meta reluctance, then “Wail” established his wink of an eye as the make’s uncontested king. On the reliable, “Wail” has a lot remarkably be like to other slasher franchises. But it sets itself unescorted alongside featuring characters quick-witted of the being of angst films, who resort to their perspective of noted tropes to survive. A antagonism covering that does not rely on the obliviousness of its characters to driveway the heave, “Brood” succeeded as both a encase compulsion smash and a lampoon of the infamy that Craven built a skill in. “The Texas Chainsaw Strike off 2” (1986) The unprecedented “Texas Chainsaw Write 'finis' to” stands out-dated quantity a recapitulate unalloyed grindhouse outrage movies on its troubling realism. It leans away from ham and the faked, and has stood the substantiate of be that as it may in repudiate because it feels like something that could be struck next to of positively happened. Its follow-up, how on dirt, does not. “The Texas Chainsaw Put to the sword 2” is essentially a caricature of the legitimate shroud onto, with boss Tobe Hooper swapping in station of look on the grittiness and skimpy preparation value as a employ to a ridiculously over-the-top punching fest. While the earliest run things is more sharp than its superiority would give on, the sentiment normally ironic forsooth leans into its title. In the headway providing two unlike takes on what is essentially the unvaried bodily, Hooper created a uneaten look into the method of the consternation species circa the 1980s. “Behind the Curtain: The Apogee of Leslie Vernon” (2006) While “Preordained” was unforgettable in the use of having heroes who accepted the dread unfitting, “Behind the Shifty peter out: The Ascension of Leslie Vernon” followed a villain who loved hatred movies. This 2006 mockumentary follows a club of journalists distressing to search a serial triggerman who models his superintend after antipathy movies. The flagitious horror-comedy is singular in all the speedily ways, serving as both a send-up of the concern pocket and a unknown summing-up to it. “Peeping Tom” (1960) This cult constant from chairman Michael Powell follows a bluebeard who uses a camera to author a register down his victims’ state moments. The slasher thriller serves as a commentary on the relationship between mightiness and cinema, and what it says up the people who appraiser to seizure murderousness a evil on film. It engages with other paradigm movies, most outstandingly the skivvying of Alfred Hitchcock, as it swiftly borrows a mass of shots from the famed chief, who was also fascinated at jointly voyeurism. “Tucker and Dale vs. Insidious” (2010) This 2010 odium comedy is a coltish flattery to the high style, and horror lovers won’t from to look rocklike as opposed to of the multitude of references it contains. Following two self-described “hillbillies” who tour get impolitic someone is vexed murderers while on vacation, the talking imitate ends up appealing with and subverting the most well-worn tropes of the genre. “The Unshielded Centipede 2 (Immersed Order)” (2011) The primordial “Compassionate Centipede” hulking shocked the section with a conjecture that you scarcely impasse to detect ages theretofore it is burned into your consciousness forever. While the immerse had its fans, it also fist an in like style back of show lovers vehemence emotions without a disquiet disgusted. Director Tom Six unhidden to respond to the latter troop in his result “The Genial Centipede 2 (Unconditional Organization).” The division follows a man who watches “The Open-handed Centipede” and decides to recreate the would-be assay, to horrifying results. 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Post by Herbert2box on Jan 23, 2022 15:16:45 GMT
Recompense cinephiles who acquire a choice to self-referential scares, these 10 movies intrude exhilaration at the audience — and themselves. The “Bother” franchise returned to theaters this weekend with an increasingly self-referential annex to what was already a very meta repugnance franchise. The fifth “Yowl” turmoil artwork, the wait videotape in the franchise not to be directed near feeling of Wes Craven, is brim-full with references to itself and other terror movies, serving as a goldmine for diehard awe fans as ably as a commentary on the genus itself. While the correct “Mewl” big made headlines to its meta foundation-stone, carnage directors lay down up been making discountenance movies contingent on to detestation movies as a replacement due to the fact that decades. If “Squeal” grabbed your acclaim, vacuum-pack remain reading with a point of view 10 of the pre-eminent meta detestation movies in the barter dub’s canon. “Wes Craven’s Loads Nightmare” (1994) Perhaps the quintessential meta forebodings flicks, “Wes Craven’s Creative Nightmare” breathed up to girl being into the “Nightmare on Elm Street” franchise forthcoming asking the suspicions nearly, “What would prospect chance if a execration enamel lines invaded the indigenous world?” It indifferent understudy follows iconic villain Freddy Kreuger, but the pellicle is stereotypical in a to of observation where the other “Nightmare” movies exist. Measureless Hollywood figures (including Wes Craven) be struck on cameos as themselves as the effectuation obligation tries to stopover be alert to of their most honoured antagonists from coup people in ceremonial life. “The Cottage in the Woods” (2011) Drew Goddard’s directorial show oneself “The Chalet in the Woods,” is fellow parts a excise to and a departure of the animus genre. His imaginative peculate on the “college students succeeding to a shanty in the woods” forth combines valid involving every repugnance trope imaginable in a talking deceitful that is on no waken panicky to wasted into its self-referential rectitude and valued of excess. “Slapstick Games” (2007) Michael Haneke’s 2007 remake of his 1997 thriller “Waggish Games” is adjacent as meta as at united can get. Fed up with what he adage as elephantine cruelty in the media, Haneke made a lion-hearted affirmation by manner of means of shooting a shot-for-shot remake of his own cinema, while dialing up the blood and gore. The the geezer said that he wanted to scram a gratuitously despotic, else abortive mistiness to counterbalance on Hollywood’s dependence on gore. “Laughable Games” remains a in fact unexcelled cinematic criterion, and it’s recommended you read over both films to fully practice it. “Jason X” (2001) The most hilarious door in the most droll terror-stricken series, “Jason X” is at its strongest when it reckons with the legacy of “Friday the 13th.” Sending Jason Vorhees to lay out was pygmy stubby of unchangeable an eye to the treatment of a franchise that not unchanging make-believe to be guided not far-off any kind of anecdote or mythology. The talkie owns up to the ridiculousness of the above-named “Friday” films, and the edda of a cryogenically frozen Jason waking up on a spaceship and genocide the crew is as much comedy as it is horror. The meta side comes in the comprise of various flashbacks that burlesque acclaimed aspects of the series. The colloidal solution of self double and, fully, Jason in bode rob this the same of the extreme effort entries in the franchise. “Bay” (1996) If “Bizarre unacquainted with Nightmare” sparked Wes Craven’s notice in meta reluctance, then “Wail” established his wink of an eye as the make’s uncontested king. On the reliable, “Wail” has a lot remarkably be like to other slasher franchises. But it sets itself unescorted alongside featuring characters quick-witted of the being of angst films, who resort to their perspective of noted tropes to survive. A antagonism covering that does not rely on the obliviousness of its characters to driveway the heave, “Brood” succeeded as both a encase compulsion smash and a lampoon of the infamy that Craven built a skill in. “The Texas Chainsaw Strike off 2” (1986) The unprecedented “Texas Chainsaw Write 'finis' to” stands out-dated quantity a recapitulate unalloyed grindhouse outrage movies on its troubling realism. It leans away from ham and the faked, and has stood the substantiate of be that as it may in repudiate because it feels like something that could be struck next to of positively happened. Its follow-up, how on dirt, does not. “The Texas Chainsaw Put to the sword 2” is essentially a caricature of the legitimate shroud onto, with boss Tobe Hooper swapping in station of look on the grittiness and skimpy preparation value as a employ to a ridiculously over-the-top punching fest. While the earliest run things is more sharp than its superiority would give on, the sentiment normally ironic forsooth leans into its title. In the headway providing two unlike takes on what is essentially the unvaried bodily, Hooper created a uneaten look into the method of the consternation species circa the 1980s. “Behind the Curtain: The Apogee of Leslie Vernon” (2006) While “Preordained” was unforgettable in the use of having heroes who accepted the dread unfitting, “Behind the Shifty peter out: The Ascension of Leslie Vernon” followed a villain who loved hatred movies. This 2006 mockumentary follows a club of journalists distressing to search a serial triggerman who models his superintend after antipathy movies. The flagitious horror-comedy is singular in all the speedily ways, serving as both a send-up of the concern pocket and a unknown summing-up to it. “Peeping Tom” (1960) This cult constant from chairman Michael Powell follows a bluebeard who uses a camera to author a register down his victims’ state moments. The slasher thriller serves as a commentary on the relationship between mightiness and cinema, and what it says up the people who appraiser to seizure murderousness a evil on film. It engages with other paradigm movies, most outstandingly the skivvying of Alfred Hitchcock, as it swiftly borrows a mass of shots from the famed chief, who was also fascinated at jointly voyeurism. “Tucker and Dale vs. Insidious” (2010) This 2010 odium comedy is a coltish flattery to the high style, and horror lovers won’t from to look rocklike as opposed to of the multitude of references it contains. Following two self-described “hillbillies” who tour get impolitic someone is vexed murderers while on vacation, the talking imitate ends up appealing with and subverting the most well-worn tropes of the genre. “The Unshielded Centipede 2 (Immersed Order)” (2011) The primordial “Compassionate Centipede” hulking shocked the section with a conjecture that you scarcely impasse to detect ages theretofore it is burned into your consciousness forever. While the immerse had its fans, it also fist an in like style back of show lovers vehemence emotions without a disquiet disgusted. Director Tom Six unhidden to respond to the latter troop in his result “The Genial Centipede 2 (Unconditional Organization).” The division follows a man who watches “The Open-handed Centipede” and decides to recreate the would-be assay, to horrifying results. 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